MCC favorite Olivier Assayas has a new film out—the French title is Doubles Vies (Double Lives). We were not able to see it at the New York Film Festival (especially sorry to have missed the Q&A that followed there), but thanks to the new branch office we did catch the screening arranged by the Boston…
Orson Welles’ final film, The Other Side of the Wind, was shot in early 1970s—but left unfinished at the time of the great man’s death in 1985. In the decades that followed, the fate of the hundred hours of footage Welles shot was entangled in impossible legal and financial complications. But against all odds, and…
Elliott Gould recently celebrated his eightieth birthday, which presents a fitting moment to appreciate his contributions as one of the notable participants in the New Hollywood. From 1968 to 1977 (stretching slightly here to include Capricorn One, a ridiculous movie that we have a tremendous fondness for), Gould appeared in a score of feature films….
As many local followers of Mid Century Cinema are aware, we are opening up a branch office in Boston. To cut the ribbon on the new regional headquarters we thought we’d give a quick shout out to our ten favorite films shot in the local area (remembering always the Andre and Wally rules about all…
Stanley Kubrick would have turned ninety on July 26, and in noting the occasion, our crack staff reported the anomaly that despite the fact that he is one of our favorite filmmakers (and one for whom that powerful illusion of personal affinity is particularly pronounced), Kubrick is, to date, relatively underrepresented on these pages. So…
The specular career of MCC favorite Ingmar Bergman stretched across seven decades; in anticipation of Bergman’s centennial (July 14), an earlier post offered a career overview and user’s guide to (almost) every one of his feature films. Here we hone in on the eight films written and directed by Bergman from 1966 to 1973: Persona,…
Now available at a bookstore (or website) near you: Tough Ain’t Enough: New Perspectives on the Films of Clint Eastwood, edited by Lester Friedman and David Desser. We have a chapter in this volume – “A Man’s Got to Know His Limitations”: The Cop Films from Nixon through Reagan – which considers eight of Eastwood’s…
Agnes Varda, one of the most distinct voices of postwar French cinema, turns ninety on May 30. Associated with the French New Wave, Varda’s career exemplifies, more than any other filmmaker, the New Wave ambition to blur the distinction between “documentary” and “fiction” films. (The argument in brief: documentaries follow narrative threads, reflect the choices…
William Holden would have turned one hundred on April 17 2018, and we thought a few words were in order to mark his centennial. Holden, a product of the studio system, is one of the few actors who made enduring contributions to both the Old Hollywood and the New. And in a handful of those…
The ever-dedicated staff here at Mid Century Cinema has been revisiting some of the films of Claude Chabrol for a forthcoming essay about his “second wave” of films—a remarkable dozen releases between 1968 and 1975. One of our favorite directors, and, although of course (following the Dylan rules), we didn’t know him, we nevertheless have an…