As you may have heard, legendary director Martin Scorsese shared some thoughts about the current crop of blockbuster films based on comic book superheroes. “That’s not cinema,” he stated. “As well made as they are, with actors doing the best they can under the circumstances,” they are more analogous to “theme parks” than any other…
Last night the entire staff here at Mid Century Cinema assembled in the screening room to watch Theo Angelopoulos’ The Weeping Meadow—and with that, we have seen them all. But we were not there simply on account of our completist fetish. Rather, in previous discussions we have described what we want from the movies—something to…
Mid Century Cinema favorite Olivier Assayas is at the New York Film Festival with his latest, Wasp Network, which arrives on heels of last year’s Non Fiction. Despite the efforts of our talented internet liaison, Wasp Network sold out before we could order tickets. But all was not lost, as an additional event was subsequently…
We have always had a soft spot for North Dallas Forty, which opened on August 3, 1979. So as it hits middle age, a brief appreciation here—not to make the case for the movie as an overlooked masterpiece or something, but as a really fine (and entertaining) film worth taking seriously. Outwardly a raucous sports…
As many of our general readers know, we are somewhat wary of the internet here at Mid Century Cinema—seeing as how it has contributed to the end of civilization and all that. Nevertheless, here we are, and splashing around the shallow end of the social media pool one lazy summer day introduced us to the…
It has been twenty years since the release of Eyes Wide Shut, the final film of Stanley Kubrick, one of Mid Century Cinema’s favorite directors. Based on a 1926 novella by Arthur Schnitzler, Kubrick transposed the story from turn-of-the-century Vienna to contemporary New York City—but with the exception of adding the pivotal character Victor Ziegler…
Summer is almost here, which means two things: the time is right for dancing in the streets, and we’ll be teaching a week-long film course at Cornell Adult University. This year’s offering will be a round of Masters and Masterpieces, from July 14 – 20. We’ll be posting on the films during the course as…
Long time followers of Mid Century Cinema know that we are, uh, somewhat fond of Arthur Penn’s neo-noir masterpiece Night Moves, which derives from an original screenplay by Alan Sharp and features an outstanding cast led by Gene Hackman, Susan Clark, and Jennifer Warren. We have previously written a review of the DVD release, posted…
This week’s film, Shampoo, is another MCC favorite—we have posted about it previously, and recently reviewed the new Criterion Collection Blu Ray for Cineaste Magazine. The movie is properly associated with its triple-threat leading man Warren Beatty, who produced, co-wrote the screenplay (with his friend and celebrated seventies film scribe Robert Towne), and whose forceful personality…
Elaine May’s Mikey and Nicky is one of the great achievements of 1970s cinema. Recently released in a properly sparkling edition from the Criterion Collection, it is less well known than many of the celebrated New Hollywood films—but stands alongside the very best of them in the pantheon. Featuring Peter Falk (Mikey) and John Cassavetes…