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Category: News and Commentary

Silence of the Sea

News and Commentary – Henri Decaë 101

Posted on July 31, 2016December 24, 2020 by MidCenturyCinema

Cinematographer Henri Decaë would have celebrated his 101st birthday on July 31.  “It was he who liberated the camera from its fixed tripod,” Michel Marie wrote, and “made the New Wave possible.”  The contributions of Decaë (and fellow cinematographer Raul Coutard) to the films and the possibilities of the New Wave (and, by example, to…

News and Commentary – Bookshelf: The New Eric Rohmer Biography

Posted on June 19, 2016January 21, 2021 by MidCenturyCinema

How fascinating was the filmmaker known as Eric Rohmer?  When his mother died in 1970, she had no idea her son was a famous director.  As Rohmer’s own son explained, she “did not know about my father’s filmmaking activities, which she never for a minute suspected. She thought he was a schoolteacher.”  Forget about the…

Clockmaker

News and Commentary – Bertrand Tavernier at Seventy-Five

Posted on June 3, 2016December 24, 2020 by MidCenturyCinema

At Mid Century Cinema we are slaves to the academic calendar, which means that the last month has been an especially hectic one, something we note by way of apology for letting Bertrand Tavernier’s seventy-fifth birthday slip by on April 25th without proper notice. But better late than never, especially for one of our favorite…

Applecore

News and Commentary – Chinatown: The Citizen Kane of the 70s Film

Posted on May 7, 2016January 21, 2021 by MidCenturyCinema

A semester of seventies films draws to a close with Chinatown, a monumental achievement in which every element of the movie contributes to its overall vision perfectly and could scarcely be improved upon, starting with Robert Towne’s screenplay—one of the greatest ever written. The final version of the script was sculpted from Towne’s much longer,…

Confrontation with Betsy

News and Commentary – Taxi Driver: The Man Who Wasn’t There

Posted on May 2, 2016January 21, 2021 by MidCenturyCinema

The sensation that was Taxi Driver settled in as the eleventh screening at our semester of the seventies film.  Directed with brilliant, baroque virtuosity by Martin Scorsese (on the heels of his breakthrough Mean Streets and Alice Doesn’t Live Here Anymore), Taxi Driver was the result of an extraordinary convergence of the talents of three…

Shampoo - Nixon

News and Commentary – Shampoo: Holding a Mirror to the Left

Posted on April 25, 2016January 21, 2021 by MidCenturyCinema

A semester of seventies films offered with its tenth entry a (modest) respite from the usual darkness and despair, with the sex-comedy Shampoo (1975).  Of course, everything is relative—it’s still the seventies out there, and we surely don’t get the ending we were rooting for, leaving George (Warren Beatty) as diminished, desolate and despairing as…

FD & WH

News and Commentary – A Semester of Seventies Films (9): Network

Posted on April 14, 2016January 21, 2021 by MidCenturyCinema

Another week, another landmark movie – business as usual for a semester of seventies films.  Network (1976), comes in the final year of the New Hollywood (in 1977 the writing was on the wall as Network and Taxi Driver lost best picture to the feel-good entertainment that was Rocky, as the morally unambiguous Star Wars…

Harry & Ellen

News and Commentary – Night Moves: The Scene You Never Saw

Posted on April 7, 2016December 24, 2020 by MidCenturyCinema

A semester of seventies films continues with its eighth entry—perhaps the most under-appreciated of all of the great films of the New Hollywood.  Arthur Penn’s astonishingly brilliant Night Moves (1975) was the neo-noir that most successfully carried a nuanced and thoughtful appreciation of the landmark films noir of the 1940s into the revised milieu of…

Harry Glass

News and Commentary – A Semester of Seventies Films (7): The Conversation

Posted on April 3, 2016December 24, 2020 by MidCenturyCinema

Even in the glory days of the New Hollywood, Francis Ford Coppola’s intensely personal, almost willfully non-commercial masterpiece The Conversation (1974) was not an easy film to get produced. But after scoring a massive hit with The Godfather, Coppola was able to extract studio backing for the picture he cared about in exchange for his…

Klute -- Fire

News and Commentary – A Semester of Seventies Films (6): Klute

Posted on March 19, 2016December 24, 2020 by MidCenturyCinema

Klute (1971) is another iconic film of the New Hollywood. Its gritty New York City locations and murky interiors were shot by seventies virtuoso Gordon Willis (“the prince of darkness”—if you can’t make out the screen captures below, take it up with him); Michael Chapman (subsequently the cinematographer on Taxi Driver and Raging Bull) operated…

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