Arthur Penn’s Bonnie and Clyde made its debut in August 1967, screening first at the Montreal Film Festival on August 4 before premiering in New York City nine days later. A fictionalized account of the notorious depression-era outlaws, the film, starring Warren Beatty (who also produced), Faye Dunaway and Gene Hackman would become a sensation,…
On June 24 1967, Pauline Kael – not yet established at the New Yorker where she would emerge as one of the most influential film critics in America – wrote a long essay for the New Republic singing the praises of the then under-appreciated Orson Welles and his new under-seen film, Chimes at Midnight. “Like…
May 17, 1967 marked the release of Bob Dylan: Dont Look Back (that’s right, no apostrophe). A documentary of Dylan’s 1965 visit to England, cameras followed as the twenty-four year old Bob performed in proper concerts and on informal occasions, held forth in sparring matches with a clueless, often hostile establishment press, bantered with his…
“City on the Edge of Forever,” the twenty-eighth episode of the first season of Star Trek, aired on April 6 1967. Widely acclaimed, it is a fan favorite, and has been singled out for high praise by both Leonard Nimoy and William Shatner. A time-travel affair where the bulk of the action takes place in…
Mid Century Cinema favorite and enigmatic Art House Rock Star Robert Bresson’s eighth feature film, Mouchette, had its Paris premiere fifty years ago this week. We have always had a special fondness for Mouchette. Generally averse to rankings, we nevertheless have no trouble identifying this as our third favorite Bresson, behind, in no particular order,…
Fifty years ago this week Ingmar Berman’s Persona opened in the U. S. One of the landmarks in the history of film, it is about the convergence of personalities between an actress (Liv Ullmann), mute and withdrawn after falling silent in the middle of a performance, and the nurse (Bibi Andersson) charged with her care. …
On January 26 1967, Sidney Lumet’s The Deadly Affair opened in America (the UK-based production had its premiere in Britain the previous October). Largely unnoticed at the time and a flop at the box office (though it did earn five BAFTA nominations), the movie is very much worth revisiting, both on the strength of its…
A major stepping stone on the road to the New Hollywood, Michelangelo Antonioni’s Blow-Up opened in the U.S. on December 18, 1966. Antonioni was already a heroic figure to that younger, big-city, buzzing-with-excitement legion of avid filmgoers (and future film-makers)—the New Hollywood generation that had previously flocked to art-houses for screenings of his earlier masterpieces,…
One of the very best episodes of Star Trek, “Balance of Terror” (season 1, episode 14), first hit the airwaves on December 15, 1966. A great show even with an average episode, “Terror” rolled out the best of everything that The Original Series (the kids call it TOS now) had to offer: a thoughtful and…
Jean-Pierre Melville’s ninth feature film, Le Deuxieme Souffle, premiered in Paris on November 1, 1966. The nominal plot – prison break, world-weary gangster, impossible heist, inevitable unraveling – sounds like standard-issue fare. But in Melville’s hands . . . in Melville’s hands . . . these basic and familiar elements are molded into nothing short…