Claude Sautet is not a household name. The French auteur, who left us in 2000, was not a prolific filmmaker. (The writer-director of fourteen features, he had a hand in the screenplay of a number of others, including the cult favorite Eyes Without a Face.) Nor did he leave behind a particular film that is…
Puzzle of a Downfall Child, the first film by Jerry Schatzberg (he would go on to direct notable New Hollywood entries The Panic in Needle Park and Scarecrow), has taken a long and circuitous path towards its current status as “significant second tier seventies film worth a look.” Released on December 16 1970, it was greeted…
John Cassavetes’ eagerly anticipated Husbands premiered at the San Francisco Film Festival on October 24, 1970. Expectations for the movie were especially high as this was the filmmaker’s follow-up to his widely celebrated Faces, a breakthrough for independent American cinema, which a young Roger Ebert described as “the sort of film that makes you want…
The Television Show The Odd Couple premiered on September 24, 1970. (The Broadway production, written by Neil Simon and directed by Mike Nichols, opened in 1965 and ran for almost a thousand performances; there was also a movie version in 1968, starring Jack Lemmon and Walter Matthau.) Nothing against the play, which took home an…
September 19 1970 welcomed the first episode of the Mary Tyler Moore Show, with would run for seven seasons and 168 episodes, accumulating a large bundle of awards and honors along the way. In retrospect that is not surprising, given the amount of talent on hand in front of and behind the camera. The reputation…
The 1970 New York Film Festival – then only in its eighth year – looked to be a very promising affair. As the New York Times reported with enthusiasm on September 4, the event would feature “new films directed by Satyajit Ray, Luis Buñuel . . . Bernardo Bertolucci, Alain Resnais, Kenji Mizoguchi . ….
On August 3, 1970, about a year and a half after the fact, Performance, which promised the big screen debut of Mick Jagger, had its official premiere. Completed in 1968, the movie was shelved by a nervous studio spooked by its general decadence and envelope-pushing sex, drugs, and sadistic, fetishized violence—not to mention a disastrous…
It’s that time of year: every summer here at Mid Century Cinema we roll out a new Top 10 list . . . from fifty years ago. As always, our obligatory qualifiers apply: such exercises are silly, arbitrary, impossible, and irresistible. [Our legal department has also advised us to note that all lists appearing on…
We conclude our back-fill of best-of lists here with a review of 1968. To review our bucket-load of qualifications regarding the folly of such lists, please see our discussions of 1967 and 1969. Reviewing those entries ourselves, we note that although we come to praise the ten films below without reservation (and winnowing down from…
The staff in the mailroom here at Mid Century Cinema received some angry letters in the wake of our recent “Best of 1969” post—from 1967 and 1968. “Why didn’t we get the “best of” treatment?” they complained, in correspondence littered with passages too vitriolic to reprint here. Closing with more than a hint of snark,…