I’m teaching “The Politics of the 70s Film” this semester, and, as we have done previously, Mid Century Cinema will follow along with commentaries related to the movies screened for class—or to movies related to those movies (since we can’t bear to repeat ourselves). This week we watched The Graduate. Regarding the general themes of this one, we don’t have much to add to last year’s comments, so we’re going to focus instead on one specific sequence in the film: when Benjamin reluctantly takes Elain
MidCenturyCinema is dedicated to the analysis and appreciation of the movies, in particular the films and filmmakers of the middle of the twentieth century (1941-1979), with an emphasis on America, France and Britain, and a special interest in the “New Hollywood” films produced between 1967 and 1976. But the range of interests implied by both “the seventies film” and “mid-century” more generally is quite broad. Forefathers and descendants, inspirations and legacies, and arguments and controversies stretch freely across the decades and the continents.
This site features two active platforms. One is for news and commentary, the other, “50 years ago this week,” revisits and engages the milestones and turning points of the New Hollywood as they occurred a half century ago. MidCenturyCinema also features access to my writings on film, and a set of links that should be of interest to those who share the passions reflected on these pages.