Finally catching up with Alan J. Pakula’s 1981 paranoid thriller Rollover has us thinking, once again, about the magic of the movies. Another way of phrasing this question would be: “Why is Rollover so bad?” But here at Mid Century Cinema, we’re extremely wary of the good/bad thing. As we emphasized in our review of A. O.
MidCenturyCinema is dedicated to the analysis and appreciation of the movies, in particular the films and filmmakers of the middle of the twentieth century (1941-1979), with an emphasis on America, France and Britain, and a special interest in the “New Hollywood” films produced between 1967 and 1976. But the range of interests implied by both “the seventies film” and “mid-century” more generally is quite broad. Forefathers and descendants, inspirations and legacies, and arguments and controversies stretch freely across the decades and the continents.
This site features two active platforms. One is for news and commentary, the other, “50 years ago this week,” revisits and engages the milestones and turning points of the New Hollywood as they occurred a half century ago. MidCenturyCinema also features access to my writings on film, and a set of links that should be of interest to those who share the passions reflected on these pages.