Martin Scorsese turned seventy-five on November 17, a milestone that naturally lends itself to looking back at his remarkable career. (Though, we hasten to add, not in a valedictory way—he is currently working on one film, has another in pre-production, and plans are already taking shape for the one after that.) Given that Scorsese’s overflowing oeuvre now stretches across more than fifty films and fifty years, we will limit ourselves here, as is our wont, to the New Hollywood years (if with a slight extension of our usual endpoint for the period).
MidCenturyCinema is dedicated to the analysis and appreciation of the movies, in particular the films and filmmakers of the middle of the twentieth century (1941-1979), with an emphasis on America, France and Britain, and a special interest in the “New Hollywood” films produced between 1967 and 1976. But the range of interests implied by both “the seventies film” and “mid-century” more generally is quite broad. Forefathers and descendants, inspirations and legacies, and arguments and controversies stretch freely across the decades and the continents.
This site features two active platforms. One is for news and commentary, the other, “50 years ago this week,” revisits and engages the milestones and turning points of the New Hollywood as they occurred a half century ago. MidCenturyCinema also features access to my writings on film, and a set of links that should be of interest to those who share the passions reflected on these pages.